Karen Knox is the founder of Making Spaces, an award-winning Interior Design Studio that creates contemporary spaces brimming with design personality. As featured on @makingspacesnet, she recently used a selection of tempting warm neutrals from our Sweet Treats capsule collection to transform her kitchen into a unique and inviting setting that reflects her love of 1970s interior design.
Learn more about the inspiration behind this kitchen scheme and find out why our ‘Sweet Treats’ palette provided the perfect warm and comforting backdrop…
What was this space like before and what was your plan to update it?
“Our kitchen is north-east facing, so we get a nice morning light in the summer. But throughout the rest of the day – and pretty much throughout winter – it’s rather dark in here. Pure, brilliant white walls, white kitchen and white furniture were literally the worst colours for this space, so it became somewhere I hated being, but I felt stuck about how to go about changing it.
Operation 1980s kitchen included banishing the pure brilliant white and opting for a warmer, softer white with cream undertones on the walls. This shade would also be used throughout the hall, stairs and landing spaces to create beautiful flow. I also wanted to paint the base cabinet fronts and update them with wooden handles and knobs, so it would look a bit like the old melamine kitchen fronts I grew up with.”
What drew you towards our Sweet Treats palette to achieve your desired look?
“When I first saw the Sweet Treats collection, the palette just looked so inviting. It made me feel warm and cosy, and I wanted our new kitchen to feel just that, with warmer, richer tones. The first colour that caught my eye was Muscovado. It’s very similar to the colour of our new front door which I absolutely love, and Madeleine reminded me of the wall colour of my family home in the 1980s. I think there is a real sense of nostalgia about this palette – it just resonated and felt familiar, which is always a good sign.”
Which colours did you use to create this inviting scheme?
“Whatever colours I chose for this room had to work with an oak floor, and the taupe quartz worktop which we couldn’t afford to update. My chosen palette was Muscovado, Madeleine, Affogato, Linen Wash and Clay. The base cabinet fronts were painted in Madeleine as a nod to my mum and dad’s house, and Muscovado was used for the woodwork either side of the chimney breast in the small dining space.”
Karen’s palette
Tell us how you created the chequerboard focal point on the chimney breast, which creates real impact in the dining space.
“I used Clay as the base for this chequerboard design, which is the colour I painted my living room last year, creating a nice link between the two rooms and tying in with the quartz worktops. For the contrasting colour, I chose Affogato, as it was almost the same colour as my new stained beech wall cabinets, balancing the two sides of the kitchen-diner.
Painting the chequerboard design took some planning – a tape measure, spirit levels, pencil, rubber, a bit of maths, and lots of Frog Tape! I painted it over three days, letting the coats dry before I could mask up again. But it provided a real focal point, and no tilling required.”
How would you describe your interior style, and how does your kitchen scheme reflect this?
“My interior style has evolved over the years, just like with everything really, but I would say that my true love is the 1970s design period. Born in 1978, I have such fond memories of my family whilst growing up in the 1980s – brown paisley carpets, wicker light shades, green velvet curtains, creams, tans and ochres, and lots of wood. My living room is painted in Little Greene Clay and Scullery, providing a nod to some of these elements.”
Finally, can you share some of your best tips when it comes to interior design?
“1. Listen to your gut, and don’t be afraid to try something different or unusual. But make sure to be realistic about what colours you can live with, as they really impact your mood. For example, the all-white kitchen we had previously made me miserable!
2. At least 50% of images online now are renders. There’s nothing wrong with them, it just helps to remember they’re not real!
3. Listen to your house. Don’t move into a new build and fit a chandelier fit for a period villa with 3m high ceilings! Authenticity is key – something that enhances your surroundings and reflects who you are.
4. Interiors can seem pretty simple to some, and it’s true – those that can visualise find the process way less scary than those that can’t. It’s a question I ask all my clients as part of the initial consultation: “how good are you at visualising?”. As for those that struggle, working with someone who can help them do this can be highly beneficial.”